Big Kuribo

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April 24, 2014 at 4:00pm
30 notes
Reblogged from ch15

(Source: ch15, via pawingoff)

3:59pm
561 notes
Reblogged from hiromitsu
hiromitsu:

Film by hiro4.11 on Flickr.

hiromitsu:

Film by hiro4.11 on Flickr.

(via cutupradio)

3:59pm
1,394 notes
Reblogged from mokzo
moonbrains:

yes hello i live here

moonbrains:

yes hello i live here

(Source: mokzo, via cutupradio)

April 17, 2014 at 10:00am
27 notes
Reblogged from kinks3
kinks3:

ドンちゃん
魔法使いチャッピー

kinks3:

ドンちゃん

魔法使いチャッピー

April 12, 2014 at 10:32am
69 notes
Reblogged from fuckyeahmajokko

(Source: fuckyeahmajokko, via smugsbunny)

April 9, 2014 at 10:05am
96 notes
Reblogged from bauldoff

bauldoff:

Such absolutely stunning oil work by Baltimore surrealist, Jordan Kasey.

(via felmzshteiyn)

10:04am
3,451 notes
Reblogged from preludetowind

Ghibli Musuem Mitaka commercial directed by Hayao Miyazaki (2001)

(Source: preludetowind.com, via niub)

April 6, 2014 at 5:45pm
5,750 notes
Reblogged from tenaflyviper

tenaflyviper:

The Innovations of Fleischer Studios  

Besides changing the face of animation by bringing the world the invention of the Rotoscope, as well as the concept and animation technique of "Follow the Bouncing Ball" sing-alongs, Max Fleischer and his studio also pioneered a revolutionary technique in animation, known as the “Stereoptical Process”.

In this process, a circular, 3-D model of a background - a diorama - is built to the scale of the animation cells.  It allowed for a spectacular sense of depth and dimension, long before Ub Iwerks came up with the Multiplane.   Within the model setup, the animation cells could be placed at varying levels from the scenery, and even between objects, so that foreground elements could pass in front of them, adding to the dimensional effect.  It was an effective method for panning and tracking shots, which would require a turn of the table with each photographed cell of animation.

The process was used in many of the studio’s cartoons, particularly in their longer, “two-reel” shorts, such as Popeye the Sailor Meets Sindbad the Sailor (1936), Popeye the Sailor Meets Ali Baba’s Forty Thieves (1937), and Betty Boop in Poor Cinderella (1934) - the only color (albeit in two-strip Cinecolor), theatrical cartoon ever made starring the iconic animated songstress, which features her as a redhead!

So interesting :D

(via cutupradio)

April 5, 2014 at 3:14pm
15,946 notes
Reblogged from bootsboobsbooks

(Source: bootsboobsbooks, via nancchan)

April 2, 2014 at 1:38pm
158 notes
Reblogged from humungus

humungus:

東宝チャンピオンまつり(1976) 3月公開ロビーカード

(via huamachuco)

March 31, 2014 at 6:24pm
12 notes
Reblogged from animelaserdiscs

(via animelaserdiscs)

6:24pm
8 notes
Reblogged from animelaserdiscs

(via animelaserdiscs)

6:24pm
15 notes
Reblogged from animelaserdiscs

(via animelaserdiscs)

2:35pm
4,311 notes
Reblogged from bewareofmpreg
bewareofmpreg:

yoko kuno

bewareofmpreg:

yoko kuno

(Source: vimeo.com, via esobvio)

2:35pm
408 notes
Reblogged from tumbdom
tumbdom:

「モリガン」/「Rukiana」のイラスト [pixiv]

tumbdom:

「モリガン」/「Rukiana」のイラスト [pixiv]

(via hirokin)